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Tehran intl. exhibit to display posters on “World without Violence”

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TEHRAN – Tehran’s Niavaran Cultural Center will host an international exhibition of posters on the theme of “World without Violence”, which will open on Friday.
 
The exhibition has been organized by the organizers of the 7th Fajr International Festival of Visual Arts in the line with President Hassan Rouhani’s initiative for a campaign against violence and extremism.
 
Works by artists from Iran, Italy, France, Poland, China, Ukraine, Turkey, Mexico, Iraq and several other countries will be put on display at the exhibit.
 
The exhibit will be held with the help of the Iranian Independent Designers Society (IIDS) and the Niavaran Artistic Creation Foundation.
 
Three works will be awarded during the closing ceremony of the exhibition, which will be held on February 24.
 
Graphic designers Majid Kashani and Mohammad Khazaii from Iran, and Enric Jardi (Spain), Pekka Loiri (Finland), and Sebastian Kubica (Poland) were among the members of the board of selection.
 
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Sarajevo to host Iranian cultural festival

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TEHRAN – The Bosnian capital Sarajevo will be hosting an Iranian cultural festival, which will open on February 9.
 
Several Iranian artists have been invited to display their artworks of paintings, calligraphic paintings, intarsia and inlaid works at an exhibition, which will be held in the old district of Stari Grad, the Islamic Culture and Relations Organization (ICRO) announced on Tuesday. 
 
The artists are also scheduled to hold a workshop for students and teachers of the University of Sarajevo on February 11.
 
A live music performance by Iranian musicians has also been arranged at the Sarajevo Music Academy on February 12. The musicians will hold a workshop for music students.
 
In addition, a selection of Iranian films will be screened in the Bosnian language in the theater of Stari Grad during the five-day event.
 
Book fairs offering books on Iran and Islam, and Persian art and culture have also been arranged on the sidelines.
 
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What’s in art galleries

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Sculpture 
* An exhibition of sculptures by Morteza Sha’bani is currently underway at Atbin Gallery.
 
The exhibit will run until February 17 at the gallery located at 42 Khakzad Alley, Parkway Intersection, off Vali-e Asr Ave.
 
 
Painting
* A collection of paintings by Aytay Khorraminejad is currently on display in an exhibition at Haft-Samar Gallery.
 
The exhibit runs until February 11 at the gallery located at No. 8, Fifth Alley, Kuh-e Nur St., off Motahhari Ave.
 
* Paintings by Shaqayeq Shojaian are on display in an exhibition at the Aaran Plus Gallery.
 
The exhibit runs until February 15 at the gallery, which can be found in the Rolex Shopping Center, between Mahmudieh and Zafaranieh districts on Vali-e Asr Ave.
 
* A collection of paintings by Elham Fatemi is on show in an exhibition at Elaheh Gallery.
 
The exhibit runs until February 16 at the gallery located at No.3, Amini Alley, off the Golfam St., and Africa Blvd.
 
* Works by Golbarg Sha’bani is on display in an exhibition at Raj Gallery.
  
The exhibit will run until February 17 at the gallery located at 4 Hakimi Alley, off Pakistan St., and Beheshti St.
 
* Aun Gallery is hanging paintings by Razieh Pursalari in an exhibition, which runs until February 29.
 
The gallery is located at 40 Seoul St., off Vanak Ave.
 
 
Photo 
* Photographer Mehdi Vosughnia is displaying his latest works in an exhibition at Silk Road Gallery.
  
The exhibit will run until July 26 at the gallery located at 103 Lavasani St., in the Famranieh district. 
 
* Ideh Gallery is showcasing a collection of photos promoting the protection of wildlife in an exhibition, which will run until February 19.
 
The collection was created by Mohammad Shams and Hamed Kazemi.
  
The gallery can be found at No. 26, 18th St., off North Kheradmand, and Karim Khan Ave.
 
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Tehran exhibit to display film posters by Ebrahim Haqiqi

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TEHRAN – An exhibition displaying 40 years of movie poster designing by veteran artist Ebrahim Haqiqi will open at the gallery of Tehran’s Milad Tower on Monday.
 
Seventy posters of films, including “Hamun”, “I, Taraneh Am 15”, “Women’s Prison”, “Reihaneh” and “Wooden Pistols”, will go on display at the showcase, Milad Tower Managing Director Farzad Hushyar said in a press release on Friday.
 
Some of the posters autographed by Haqiqi are scheduled to be on sale for private collectors and cinema lovers.
 
Haqiqi and cinematic officials are expected to attend the opening ceremony.
 
The theater of Milad Tower is dedicated to screenings for film critics, journalists and cineastes during the 33rd Fajr Film Festival.
 
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Enjoy history and cinema at Film Museum of Iran

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The Film Museum of Iran fascinates the visitors with the history of Iranian cinema as well as the Qajar-era mansion and garden.
 
The Baq-e Ferdows, a historical palace in Tajrish, houses the Film Museum of Iran since 2002. The palace consists of the North Castle and the South Castle, of which the former was ruined.
 
The Film Museum of Iran was first established in Lalezar Street in 1995 and later moved to Baq-e Ferdows.
 
The museum’s collection includes items relating to film production, film screening and the experiences of cinema-going from earliest days of cinema to present.
 
A collection of artifacts, memorabilia and equipment that preserves the history and grandeur of cinema are kept at the museum.
The museum has several halls, each of them is dedicated to a special feature of Iranian cinema. The museum’s Blue Hall is dedicated to the history of Iranian cinema. 
 
The Iranian contemporary cinema is introduced at the White Hall of the Museum.  The Hall of Honor features the international presence of the Iranian cinema.
 
The museum displays over 40,000 stills from Iranian movies as well as 2500 posters, 8000 books and 3000 cinematic documents.
 
The visitors can enjoy watching the first sound film in the Persian language “Lor Girl” (1934) on wooden cinema seats in one of the museum’s halls.
 
Walking in a dark corridor, the visitor finds himself on the red carpet surrounded by the cardboard cutout of cinematic figures and will be surprised by multiple flashes of cameras and the outburst of applause. 
 
The museum also dedicated a small room to the Iranian rock singer and celebrated musician Farhad Mehrad (1944 - 2002), furnished with his memorabilia.
 
* Baq-e Ferdows
 
The Baq-e Ferdows complex was originally designed by Mohammad Shah’s prime minister Haj Mirza Aqasi (1834 – 1848) during Qajar era. The Qajar king and his family used the complex as a summer residence. After the death of Mohammad Shah Qajar in September 1848, the complex became desolated in subsequent years.
 
During the reign of the Nasser ad-Din Shah (1848–1896), the ownership of the complex was transferred to Dust-Ali Khan Moayyerolmamalek, who refurbished the palaces and gave the name of Ferdows to the place. 
 
Later, his son Dust-Mohammad Khan built a new edifice at the Southern edge of this structure, giving it the name of Rashk-e Behesht, meaning “Envy of the Paradise”.
 
In early 20th century, Mohammad Vali Khan Tonekaboni (1846-1926), also known as Sepahsalar-e Aazam, bought the palace. He was the leader of the Constitutionalist Revolutionary Forces from Iran’s northern provinces of Gilan and Mazandaran. 
 
In 1937, Iran’s Ministry of Education housed a primary and a secondary school, named Shapour Schools, in the complex.
 
After the Islamic Revolution of 1979, the Ministry of Culture and Islamic Guidance owned the complex and it houses Film Museum of Iran Since 2002.
 
The Film Museum of Iran can be found located at Baq-e Ferdows, Vali-e Asr St., Tajrish district.
 

Children’s book writer Mostafa Rahmandust honored

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TEHRAN -- Mostafa Rahmandust, the Children’s book writer who is mostly known for his poem “A Hundred Rubies” about pomegranates, was honored during a ceremony in his home town of Hamedan on Thursday.
 
The ceremony was held by the Institute for Intellectual Development for Children and Young Adults (IIDCYA) to celebrate the lifetime achievements of the 64-year-old author and poet.
 
“I was in fifth grade when I learned that I could compose poems and I created my first work in that year,” he said at the ceremony.
 
He said that he left Hamedan at the age of 20 to study Persian literature in Tehran. 
 
“During the last days of my education, I was acquainted with children’s literature and I decided to work in this field,” he stated.
 
“Today, I have been working for children over the past 30 years and every position I have taken was concerned with children’s literature,” he added.
 
He said that so far, 160 books of his poems have been published in 5.5 million copies.
 
“All children have the right to an education and we should provide all facilities for those Afghan refugee children in Iran to familiarize them with Iranian culture and Persian literature,” Rahmandust added.
 
The director of the Hamedan branch of the IIDCYA, Mohammadreza Javadi, also praised Rahmandust for his works in a short speech that he delivered at the ceremony.
 
“According to many Persian literati, Rahmandust has had a key role in the development of the contemporary Persian literature, particularly in the field of children’s literature,” he said.
 
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Tehran museum celebrates Ali Nasirian’s 80th birthday

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TEHRAN -- The Imam Ali (AS) Religious Arts Museum celebrated stage and screen actor Ali Nasirian’s 80th birthday on Thursday.
 
A large number of actors, directors, stage artists and literati attended the celebration.
 
Director and actor Farhad Aiish, who is also a lifelong friend of Nasirian, talked of his love of Nasirian and said, “I must admit that I was in love with Nasirian and his acting. I believe he is a great artist and has outstanding characteristics.” 
 
“I lost my father when I was young and thought of Nasirian as my father in my subconscious, and I still deem him to be my own father. He gave me confidence,” he added.
 
Aiish’s wife, actress Maedeh Tahmasbi, recalled the time they had met Nasirian and his wife in the United States, and called Nasirian a loving and influential person.
 
Among those literati who attended the ceremony was children’s book writer Hushang Moradi Kermani.
 
Addressing Nasirian, Moradi Kermani, who had once collaborated in one of Nasirian’s plays, said, “I congratulate myself to have known you. When I was young and came to Tehran from Kerman, I met you and you told me I can count on you. You have supported me since then.”
 
Iranian Theater Forum Managing Director Iraj Raad expressed that everybody loves Nasirian whole-heartedly and said that Nasirian has been active in screenwriting and has made great endeavors to promote Iranian theater for years.
 
He has had a good deal of discipline in his life and work, Raad said, adding, “I wish his discipline would spread among others.”
 
“If what friends and colleagues have expressed here is true, then I must be the richest person who has been unaware of this fact,” Nasirian told the participants.
 
“What I have done in my life was for my own heart and people, and no other person should feel beholden to me,” he stated.
 
Nasirian has written and directed several plays during the long years of his artistic career. 
 
He next cut his cake, after which he was presented with several gifts given to him by friends and colleagues.
 
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Art news in brief

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Works by Iranian photographers showcased at Boston gallery
TEHRAN – A joint exhibition displaying staged and documentary photographs by Iranian artists Shadi Ghadirian and Tahmineh Monzavi is currently underway at the Robert Klein Gallery in Boston.
 
Works from Ghadirian’s series “Be Colorful” and “Qajar”, and three collections from Monzavi’s projects “Tina”, “Brides of Mokhber al-Dowleh”, and “Mirrors of Mashhad Bazar” have been selected for the exhibition, which runs until March 28.
 
“The Cat and the Moon” hits Iranian bookstores
TEHRAN – A Persian translation of “The Cat and the Moon”, a play by Irish writer William Butler Yeats, has been recently published in Iran.
 
Written in 1919 when Yeats was in his mid-50s, “The Cat and the Moon” tells the story of two beggars, one blind and one lame, who visit a sacred well in order to be cured of their disabilities. 
 
The one-act comedy was translated by Farid Qadami into Persian and published by the Tehran-based publishing house Afraz.  
 
 
Tehran gallery displays film photos by Babak Borzuyeh
TEHRAN – An exhibition displaying photos of ten Iranian movies by Babak Borzuyeh opened Saturday at the gallery of Tehran’s Mellat Cinema Complex.
 
Photos from director Masud Kimiai’s “Verdict”, “Crime”, and “Metropole”, and Puran Derakhshandeh’s acclaimed drama “Hush! Girls Don’t Scream” and several other films are on show at the exhibit, which runs until March 9. 
 
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Austrian-German troupe to stage Farhadi’s “Past” in Graz

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TEHRAN – A stage adaptation of Iranian Oscar-winning director and writer Asghar Farhadi’s drama “The Past” will be performed by a German-Austrian troupe at Schauspielhaus Graz, Austria on February 12. 
 
German director Patrick Schlösser has been working with the troupe during its rehearsals over the past few months, the Persian service of ISNA reported on Saturday. 
 
German playwright Susanne Felicitas Wolf wrote the play.
 
Farhadi has been invited to the premiere of the play, which will be on stage until April 7. 
 
“The Past” (“Le passé”) was Farhadi’s first film shot outside of his homeland. It is about an Iranian man, who has ongoing domestic problems with his French wife. He deserts her and his two children to go back to Iran.
 
The film earned nominations in five categories at France’s César Awards 2014. Moreover, the film’s star Berenice Bejo won the Palme d’Or for Best Actress at the Cannes Film Festival in 2013.
 
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Historical postcards on Gilan region published in book

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TEHRAN – A book containing historical postcards on the northern Iranian region of Gilan during the Qajar and Pahlavi eras has recently been published.
 
Entitled “Gilan on Historical Postcards”, the book was unveiled during a ceremony at the Book City Institute in Tehran on Friday.
 
The postcards show the historical sites and nature, and scenes from the lives and costumes of the inhabitants of Gilan.
 
The postcards have been selected by a team of experts supervised by the Iranian collector and documentary filmmaker Mehrdad Oskuii from Iranian and foreign private collectors or personal albums.
 
The unveiling ceremony was attended by Italian Cultural Attaché Carlo Cereti, expert on Gilan’s geography Naser Azimi, and Oskuii, and several cultural officials.
 
Speaking at the ceremony, Cereti said that the book helps change the wrong image the West has about Iran.
 
“The book says that Iran is not limited to Isfahan, the deserts, and the southern regions, but it is a country with four seasons and beautiful locations to see,” he added.
 
On the reason behind choosing Gilan, Oskuii next explained that he is originally from Gilan and that he has made his best efforts to show the potential of his country Iran.
 
“The postcards are of high importance since most of them were published in late 19th century and contain texts, stamps and seals, which act as good historical sources,” he said.
 
Oskuii added, “I believe that the book is a good trip into the past and I think we need to see and read our history correctly”.
 
Direct or Gilan branch of Art Bureau Gholamreza Qasemi, also attending the ceremony, continued that Gilan was considered Europe’s gateway to Iran and the region became familiar with different arts via its northern borders.
 
“So Gilan turned into a center for theater and publications of magazines and periodicals, and its inhabitants became familiar with different languages due to the presence of Russians, Armenians and other nationalities over the years,” he added.
 
The bilingual Persian and English book has been published by Farhang-e Ilia Publications in Rasht in collaboration with the Gilan Branch of the Art Bureau.
 
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Producer says future of Iranian cinema promising

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TEHRAN -- Producer Fereshteh Taerpur, who is a juror in the New Vision section of the 33rd Fajr Film Festival, has said that the future of Iranian cinema looks promising.
 
Eleven movies are competing in the section, which screens works from first-time filmmakers.
 
“A better tomorrow is waiting for Iranian cinema,” said Taerpur, the producer of acclaimed films “Facing Mirrors” and “It’s Winter”.
 
“The films in this section are of highly diverse and unique subjects and enjoy good atmospheres and improved techniques,” she stated.
 
“We see some indications showing that Iranian cinema has progressed,” she added.
 
“For me, this section was a window to the tomorrow of Iranian cinema and I could see that a new generation of talented filmmakers is entering and that a promising future is waiting for Iranian cinema,” Taerpur said.
 
Among the films is “Risk Acid Rain” directed by Behtash Sanaeiha about life of a lone employee of a tobacco company after retirement. Writer Mohammad Shams Langerudi also stars in this film.
 
Director Amir-Hossein Asgari’s anti-war drama “Borderless”, Hamidreza Qotbi’s social drama “Rending a Garment” and Soheila Golestani’s social drama “Two” starring Parviz Parastuii will also be shown in this section.
 
“Little Black Fish” by Majid Esmaeili, “What Time Is It in Your World” by Safi Yazdanian, “Nahid” by Aida Panhandeh and “Closer” by Mostafa Ahmadi will also be screened.  
 
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U.S. museum to hold Iranian sculptor Parviz Tanavoli retrospective

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TEHRAN – The Davis Museum in the Wellesley College of the United States will be holding a retrospective of celebrated Iranian sculptor Parviz Tanavoli in an exhibition opening on February 10.
 
“I am very happy this is happening, especially in the United States, because of this embargo and lack of communication,” Tanavoli told the Middle East Monitor (MEMO) in an exclusive interview published last week. 
 
Middle East Monitor is an independent media research institution in Washington founded in 1946 to foster a fair and accurate coverage of Middle Eastern issues.
 
“I think this might open the door. Americans have the right to see the other side of our culture; I mean the cultural part not just all this bad news,” Tanavoli said.
 
He added, “This is a good time, a good period, and I’m very much looking forward that there is going to be communication through art, and Americans can see a taste of the art of Iran and myself and that part of the world.”
 
Over 175 of his pieces will go on exhibit until June 7, and according to the artist, the exhibit will be a good opportunity for Americans to experience Iranian culture that often gets lost in news reporting.
 
As a young boy, Tanavoli’s favorite toy was the simple lock. As there were no ready-made toys like those of today he would take them apart, fix them and make keys for the ones that didn’t work. 
 
“I was the locksmith of the neighborhood because all the locks in those days had one key and they were handmade. There weren’t that many machine-made locks. If there were they were very expensive,” he said in the interview.
 
Later Tanavoli went to Italy to study. It was on his return, that he realized the role locks played in Persian culture. 
 
“People who have wishes or problems go to the saqqakhaneh (water drinking places) and tie up a strip of their clothing or fasten a lock to the grille hoping that they can unlock their problems and cure their sicknesses or disease,” explains Tanavoli. “So the lock has great significance in Persian culture.”
 
Another concept central to Tanavoli’s work is the principle of “Heech”, Farsi for “nothing”. Like the lock, the word Heech has been molded by the artist and incorporated into the anatomy of his sculptures numerous times. 
 
Tanavoli describes the shape of Heech as malleable and soft, a word that can be put in a cage or on the walls. 
 
In 2008 Tanavoli’s “The Wall” (Oh Persepolis), a two meter bronze sculpture etched with hieroglyphics, made a record sale when Christie’s auction house sold it for $2.84 million, the highest ever paid for a piece of artwork from the Middle East. 
 
Despite this, Tanavoli says that commercial success has not compromised his work. “I didn’t follow the market or market requests, in fact I turned them down in many instances and I followed my path. I continued doing my thing and opted out. I haven’t changed; I haven’t really commercialized any of my art.”
 
Tanavoli’s work can be found in private and public collections from the British Museum in London to the Metropolitan Museum of Art and Museum of Modern Art in New York. 
 
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Austrian-German troupe to stage Farhadi’s “Past” in Graz

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TEHRAN – A stage adaptation of Iranian Oscar-winning director and writer Asghar Farhadi’s drama “The Past” will be performed by a German-Austrian troupe at Schauspielhaus Graz, Austria on February 12. 
 
German director Patrick Schlösser has been working with the troupe during its rehearsals over the past few months, the Persian service of ISNA reported on Saturday. 
 
German playwright Susanne Felicitas Wolf wrote the play.
 
Farhadi has been invited to the premiere of the play, which will be on stage until April 7. 
 
“The Past” (“Le passé”) was Farhadi’s first film shot outside of his homeland. It is about an Iranian man, who has ongoing domestic problems with his French wife. He deserts her and his two children to go back to Iran.
 
The film earned nominations in five categories at France’s César Awards 2014. Moreover, the film’s star Berenice Bejo won the Palme d’Or for Best Actress at the Cannes Film Festival in 2013.
 
MA/YAW
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Historical postcards on Gilan region published in book

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TEHRAN – A book containing historical postcards on the northern Iranian region of Gilan during the Qajar and Pahlavi eras has recently been published.
 
Entitled “Gilan on Historical Postcards”, the book was unveiled during a ceremony at the Book City Institute in Tehran on Friday.
 
The postcards show the historical sites and nature, and scenes from the lives and costumes of the inhabitants of Gilan.
 
The postcards have been selected by a team of experts supervised by the Iranian collector and documentary filmmaker Mehrdad Oskuii from Iranian and foreign private collectors or personal albums.
 
The unveiling ceremony was attended by Italian Cultural Attaché Carlo Cereti, expert on Gilan’s geography Naser Azimi, and Oskuii, and several cultural officials.
 
Speaking at the ceremony, Cereti said that the book helps change the wrong image the West has about Iran.
 
“The book says that Iran is not limited to Isfahan, the deserts, and the southern regions, but it is a country with four seasons and beautiful locations to see,” he added.
 
On the reason behind choosing Gilan, Oskuii next explained that he is originally from Gilan and that he has made his best efforts to show the potential of his country Iran.
 
“The postcards are of high importance since most of them were published in late 19th century and contain texts, stamps and seals, which act as good historical sources,” he said.
 
Oskuii added, “I believe that the book is a good trip into the past and I think we need to see and read our history correctly”.
 
Direct or Gilan branch of Art Bureau Gholamreza Qasemi, also attending the ceremony, continued that Gilan was considered Europe’s gateway to Iran and the region became familiar with different arts via its northern borders.
 
“So Gilan turned into a center for theater and publications of magazines and periodicals, and its inhabitants became familiar with different languages due to the presence of Russians, Armenians and other nationalities over the years,” he added.
 
The bilingual Persian and English book has been published by Farhang-e Ilia Publications in Rasht in collaboration with the Gilan Branch of the Art Bureau.
 
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Producer says future of Iranian cinema promising

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TEHRAN -- Producer Fereshteh Taerpur, who is a juror in the New Vision section of the 33rd Fajr Film Festival, has said that the future of Iranian cinema looks promising.
 
Eleven movies are competing in the section, which screens works from first-time filmmakers.
 
“A better tomorrow is waiting for Iranian cinema,” said Taerpur, the producer of acclaimed films “Facing Mirrors” and “It’s Winter”.
 
“The films in this section are of highly diverse and unique subjects and enjoy good atmospheres and improved techniques,” she stated.
 
“We see some indications showing that Iranian cinema has progressed,” she added.
 
“For me, this section was a window to the tomorrow of Iranian cinema and I could see that a new generation of talented filmmakers is entering and that a promising future is waiting for Iranian cinema,” Taerpur said.
 
Among the films is “Risk Acid Rain” directed by Behtash Sanaeiha about life of a lone employee of a tobacco company after retirement. Writer Mohammad Shams Langerudi also stars in this film.
 
Director Amir-Hossein Asgari’s anti-war drama “Borderless”, Hamidreza Qotbi’s social drama “Rending a Garment” and Soheila Golestani’s social drama “Two” starring Parviz Parastuii will also be shown in this section.
 
“Little Black Fish” by Majid Esmaeili, “What Time Is It in Your World” by Safi Yazdanian, “Nahid” by Aida Panhandeh and “Closer” by Mostafa Ahmadi will also be screened.  
 
MMS/YAW
END 

U.S. museum to hold Iranian sculptor Parviz Tanavoli retrospective

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TEHRAN – The Davis Museum in the Wellesley College of the United States will be holding a retrospective of celebrated Iranian sculptor Parviz Tanavoli in an exhibition opening on February 10.
 
“I am very happy this is happening, especially in the United States, because of this embargo and lack of communication,” Tanavoli told the Middle East Monitor (MEMO) in an exclusive interview published last week. 
 
Middle East Monitor is an independent media research institution in Washington founded in 1946 to foster a fair and accurate coverage of Middle Eastern issues.
 
“I think this might open the door. Americans have the right to see the other side of our culture; I mean the cultural part not just all this bad news,” Tanavoli said.
 
He added, “This is a good time, a good period, and I’m very much looking forward that there is going to be communication through art, and Americans can see a taste of the art of Iran and myself and that part of the world.”
 
Over 175 of his pieces will go on exhibit until June 7, and according to the artist, the exhibit will be a good opportunity for Americans to experience Iranian culture that often gets lost in news reporting.
 
As a young boy, Tanavoli’s favorite toy was the simple lock. As there were no ready-made toys like those of today he would take them apart, fix them and make keys for the ones that didn’t work. 
 
“I was the locksmith of the neighborhood because all the locks in those days had one key and they were handmade. There weren’t that many machine-made locks. If there were they were very expensive,” he said in the interview.
 
Later Tanavoli went to Italy to study. It was on his return, that he realized the role locks played in Persian culture. 
 
“People who have wishes or problems go to the saqqakhaneh (water drinking places) and tie up a strip of their clothing or fasten a lock to the grille hoping that they can unlock their problems and cure their sicknesses or disease,” explains Tanavoli. “So the lock has great significance in Persian culture.”
 
Another concept central to Tanavoli’s work is the principle of “Heech”, Farsi for “nothing”. Like the lock, the word Heech has been molded by the artist and incorporated into the anatomy of his sculptures numerous times. 
 
Tanavoli describes the shape of Heech as malleable and soft, a word that can be put in a cage or on the walls. 
 
In 2008 Tanavoli’s “The Wall” (Oh Persepolis), a two meter bronze sculpture etched with hieroglyphics, made a record sale when Christie’s auction house sold it for $2.84 million, the highest ever paid for a piece of artwork from the Middle East. 
 
Despite this, Tanavoli says that commercial success has not compromised his work. “I didn’t follow the market or market requests, in fact I turned them down in many instances and I followed my path. I continued doing my thing and opted out. I haven’t changed; I haven’t really commercialized any of my art.”
 
Tanavoli’s work can be found in private and public collections from the British Museum in London to the Metropolitan Museum of Art and Museum of Modern Art in New York. 
 
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Abyaneh: A glow of friendship between human and nature

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The village of Abyaneh is associated with the multi-storey buildings made of red clay. However its residents in traditional costumes speaking in ancient Pahlavi language should not be underestimated as an attraction for those who visit the place. 
 
Located in the foothill of Karkas Mountain near Natanz city in Isfahan Province, Abyaneh is one of the Iranian historical villages, which houses monuments from Sassanid Empire (224–654 CE). 
 
The word Abyaneh has been derived from the word “viona”, which means the garden of weeping willow in ancient Pahlavi language. The village is registered on Iran’s National Heritage List in 1975.
 
 
The Sassanid-era Herpak Fire Temple, the Porzeleh Mosque dated back to Ilkanid era (1256-1335) and the Safavid-era Hajatgah Mosque, which was built 400 years ago, are amongst the tourist destination of the village. 
 
The architectural characteristics 
 
The town’s layout, which is irregular and labyrinthine and the buildings of undefined frames in red is the signs of human adaptation to nature.
 
The village is compact, with narrow and sloped lanes, and houses located on the slope as if built on a stairway. 
 
In Abyaneh, the roof of one house may serve as the courtyard of other house. 
 
As it is located in a valley with a narrow river, Abyane does not have a lot of agricultural land. The inhabitants tend to rear animals for a living. The hills and valleys surrounding the area are used as pasture lands in all seasons. 
 
Traditional food and clothing
 
Abyaneh can be considered an entrance to the Persian history since the locals are deeply committed to their traditions.
 
Due to the location of village in a mountainous area, the inhabitants of Abyaneh have lived in isolation for centuries and in this way they preserved their ethnic and traditional customs. 
 
The village is also well-known for rituals on Ashura, the anniversary of the martyrdom of the Imam Hussein (AS) and his companions on the tenth day of Muharram. 
 
The women in Abyaneh typically wear a white long scarf with floral motifs, an under-knee skirt and pleated pants. 
 
An Abyaneh woman is inseparably attached to her wedding gown inherited from her mother, and it is expected to pass it on to her daughter. It bears such an intrinsic value for them that she wouldn’t sell it at any price.
 
Men wear a felt hat, a long garment named “qaba”, loose canvas pants, and a pair of shoes called “giveh”. 
 
Gipa, a stew cooked with mutton, is a local dish of the region, which is served on special occasions and feasts. Jovin, made with barley and Karvani, made with curd and fried onions, as well as Ardineh, made with local vegetables and yogurt are other cuisines, which are popular in the region.
As a result of an agreement between Abyaneh Research Center and the Research Center of the Iranian Cultural Heritage, Handicraft and Tourism Organization (RICTTHO) in June 2005, the village has been undergoing archaeological excavations for the first time.
 
 

Art news in brief

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Iranian, Slovenian national libraries sign MOU
TEHRAN – A memorandum of understanding (MOU) has been signed between the National Library and Archives of Iran (NLAI) and the National and University Library of Slovenia (NUK).
 
The MOU inked in Ljubljana during a meeting between NLAI Director Seyyed Reza Salehi-Amiri and NUK Director Martina Roznam Salobir, IRNA reported on Saturday.
 
Based on the MOU, the libraries are scheduled to organize mutual workshops, seminars, educational courses and book fairs.
 
 
Comments on Mehdi Akhavan-Saless published in book
TEHRAN- Interviews on Mehdi Akhavan-Saless, a pioneer of blank verse in Persian literature, has recently been published in a book by Negah Publications in Tehran.
 
Entitled “Horizons and the Mysteries of the Single Pearl,” the book contains a collection of interviews, outlooks and commentaries on Akhavan-Saless (1929-1990), who was also a musicologist.
 
Poet Simin Behbahani, painter Iran Dorudi, filmmaker Masud Kimiai, and writers Reza Baraheni and Ehsan Naragi are among those 30 Iranian figures interviewed by Mehdi Mozafari Savoji for the book. 
 
 
Fajr festival an opportunity to introduce Iranian music: culture minister
TEHRAN – Minister of Culture and Islamic Guidance Ali Jannati has said that the Fajr International Music Festival provides an opportunity to introduce rich Iranian music to other nations.
 
In a message sent to the organizers of the festival on Sunday, Jannati said that such events can be a benchmark for annual efforts made by artists who try to promote Iranian arts and culture. 
 
Every year musicians from four corners of the globe come together at the festival that Iran organizes annually during February to celebrate the anniversary of the victory of the Islamic Revolution.  
 
This year, in addition to many local Iranian musicians, ten groups from across the world will participate in the festival, which will be held in Tehran from February 13 to 20.
 
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What’s in art galleries

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Painting
* An exhibition of paintings by Saeid Ahmadzadeh is currently underway at Shokuh Gallery.
 
The show will continue until February 18 at the gallery, which can be found at 19 Amir Nuri Alley, North Salimi St. near Andarzgu Blvd.
 
* Tarrahan-e Azad Gallery is hosting an exhibition of paintings by Mahsa Karimi. 
 
The exhibition runs until February 11 at the gallery located at 41 Salmas Square, off Fatemi St.
 
* An exhibition of paintings by Bahareh Babaii is underway at Homa Gallery.
 
The exhibition runs until February 17 at the gallery, which can be found at No. 8, 4th Gharbi Alley, Sanaii St., and Karim Khan Blvd.
 
Jewelry 
* A collection of jewelry by Fatemeh Jalali and Danial Zirak is on display in an exhibition at Golestan Gallery.
 
The exhibition runs until February 10 at the gallery located at 42 Kamasaii St. in the Darus neighborhood.
 
Photo 
* Mehrva Gallery is playing host to an exhibition of photographs by Hamid Janipur. 
 
The display will run until February 16 at the gallery, which can be found at 38 South Aban St. off Karim Khan Blvd.
 
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Persian translator of German literature Keikavus Jahandari commemorated

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TEHRAN -- The Persian literary monthly Bokhara paid tribute to Iranian translator of the German literature Keikavus Jahandari (1923-2015) at the Mahmud Afshar Foundation on Saturday.
 
Jahandari, famous for his translation of “Steppenwolf” by German-Swiss author Hermann Hesse (1877-1962), was a scholar of German literature and a researcher at the Center for the Great Islamic Encyclopedia.
 
The ceremony was attended by a number of literati including Managing Director of Bokhara Ali Dehbashi and Director of Children’s Book Council of Iran Nushafarin Ansari, the Persian service of ISNA reported on Sunday.
 
Dehbashi gave a brief explanation about Jahandari and called him one of the great translators of Iran who has rendered many books from German and English into Persian.
 
“His precise and smooth translations have played a major role in familiarizing Iranians with the world great literary works,” Dehbashi said. 
 
Member of the high council of the Center for the Great Islamic Encyclopedia Sadeq Sajjadi next made a brief speech and said that Jahandari had a good command of books on Iranian and Islamic studies and was a great help to other scholars.
Writer and translator Kamran Fani pointed to Jahandari’s translations of books and called the translation of a travelogue written by Jakob Eduard Polak (1818- 1891) one of his best works.
 
Polak was the Austrian physician who played an important role in introducing modern medicine in Iran.
 
A live music performance was the closing program of the event.
 
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