TEHRAN -- Iran has nominated the kamancheh, a treble instrument in the family of Iranian folk bowed instruments, to be registered on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity.
Iran’s Cultural Heritage, Tourism and Handicrafts Organization (CHTHO) has sent a file containing information about the instrument to UNESCO, CHTHO’s Department for Registration of Natural, Historical and Intangible Heritage Director Farhad Nazari told the Persian service of the Mehr News Agency on Saturday.
UNESCO’s Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage will decide on the file during its annual session in 2016.
Iranian musician and expert Dariush Pirniakan has collaborated with CHTHO in editing and compiling information for the file.
“We saw that some countries in the region have claims on the instrument, consequently, we tried to compile the information and documents for the file as soon as possible to send to UNESCO,” Pirniakan said.
UNESCO has recently acknowledged receipt of the file, he added.
To improve the file, a video has been produced depicting how the kamancheh is made and played, as well as Iranians’ comprehension of the instrument, he stated.
“The video also shows how Iranian people clad in their local costumes learn to play the kamancheh and how they hold educational courses on the instrument,” he added.
Pirniakan said that an excerpt of the video will be enclosed with the final file.
According to the Encyclopedia Britannica, the kamancheh “apparently originated in northern Persia.”
The kamancheh is a spike fiddle. Its small, round or cylindrical body appears skewered by the neck, which forms a “foot” that the instrument rests on when played.
Measuring about 76 centimeters from neck to foot, it has a membranous belly and, typically, two to four strings tuned in fourths or fifths. The musician, who plays while seated, rests the foot of the instrument on his knee.
It “was mentioned by the 10th-century philosopher and music theorist al-Farabi. Though still common in the Middle East and Central Asia, it has given way in North Africa to the European viola and violin, which are called kamanjas.”
However in keeping with traditional kamancheh playing style, the instrument is held vertically rather than horizontally.
MMS/YAW
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